After 
          J. D. Dulcken
                        
         The 
          influence of the Ruckers was felt long into the 18th century, not only 
          in France and England, but in the Netherlands as well. One of the most 
          fascinating bodies of instruments left to us from this time comes from 
          the hands of Johann Daniel Dulcken. Dulcken took the basic Ruckers design, 
          which had not been produced in many decades, and enlarged it out of 
          all proportion to the product of any other contemporary maker. The effect 
          of this novel design decision was to make an instrument that did not 
          display the same differences of tone from bass to treble that one finds 
          in other 18th century doubles. Rather, these immense instruments (they 
          are eight and one half feet long) have a crystalline sound that, paradoxically, 
          combines the clarity of the best Italian harpsichords and the sustained 
          tone of a Ruckers. They excel at contrapuntal playing although we have 
          heard them used to admirable effect in late 18th century French music 
          as well. The disposition is oriented more toward the organist and is 
          thus more flexible than any other type of instrument produced at the 
          time.
The 
          influence of the Ruckers was felt long into the 18th century, not only 
          in France and England, but in the Netherlands as well. One of the most 
          fascinating bodies of instruments left to us from this time comes from 
          the hands of Johann Daniel Dulcken. Dulcken took the basic Ruckers design, 
          which had not been produced in many decades, and enlarged it out of 
          all proportion to the product of any other contemporary maker. The effect 
          of this novel design decision was to make an instrument that did not 
          display the same differences of tone from bass to treble that one finds 
          in other 18th century doubles. Rather, these immense instruments (they 
          are eight and one half feet long) have a crystalline sound that, paradoxically, 
          combines the clarity of the best Italian harpsichords and the sustained 
          tone of a Ruckers. They excel at contrapuntal playing although we have 
          heard them used to admirable effect in late 18th century French music 
          as well. The disposition is oriented more toward the organist and is 
          thus more flexible than any other type of instrument produced at the 
          time.
        18th century 
          Flemish double after J. D. Dulcken – Offering 
          Sheet
         
 
          Listen 
            to it...
          You 
            can hear an excerpt from a demonstration 
            CD we have prepared for this instrument:
          
          
          
           
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                    We now 
            have available a demonstration CD 
            of the instrument after J. D. Dulcken ($10.00 ppd. in U.S.). Please 
            - inquire via our contact form.
        
         
                