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              | Flemish 
                Single-Manual Harpsichords of the 16th, 17th & 18th Centuries |   
              | We offer two Flemish single-manual 
                harpsichords. Each design is available in two versions – 
                either in the original range & disposition or a later, enlarged-range 
                version. The large instrument by Ioannes Moermans (GG/BB-f''') 
                is dated 1584. The small instrument by Andreas Ruckers (C/E-c''') 
                is dated 1640. By the 18th century, both instruments would have 
                become valuable but out-dated antiques - perfect for enlargement! 
                Both enlargements are carried out within the original case shape 
                and volume.  Our Moermans à petit ravalement has the 
                range GG-e''' (transposing). The Ruckers has the range C-d''' 
                (transposing). Detailed 
                  Description Available 
                  as a kit (Moermans). | 
 
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              | Flemish 
                Virginals of the 17th Century, 'Mother' and 'Child' |   
              | The large virginal (mother) is 
                disposed  1 x 8' with a range of 49 notes: C-c"'. The 
                small instrument (child), known as the ottavino, is disposed 
                1 x 4' and is pitched one octave higher than the mother. It stores 
                easily in the body of the larger instrument, hence the term from 
                the old Flamands, "Mother and Child." The 
                  ottavino can be played either by itself or placed on 
                  the mother and coupled to her creating a 1 x 8', 1 x 4' instrument. 
                  The instruments can be also purchased separately. The ottavino 
                  is an excellent kit for beginners.  Detailed 
                  Description Available 
                  as a kit. | 
 
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              | Flemish 
                Harpsichords à gran ravalement of the 18th Century |   
              | We 
                  offer two. Our 18th century double manual à grand ravalement 
                  after Ruckers and Blanchet has the mid-18th century range of 
                  nearly five octaves, FF-e''', 61 notes; transposing. The instrument 
                  after Ruckers and Taskin adds the top f'''.  They are disposed 
                  with upper manual 1 x 8', lower manual 1 x 8', 1 x 4', buff 
                  stop handstops and shove coupler.  These 
                  harpsichords offer various possibilities for decoration. For 
                  example, block printed papers for the interior of lid and case 
                  with a plain or marbled exterior, or the plainer fashion of 
                  a French 18th century harpsichord.  Detailed 
                  Description | 
 
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              | Flemish 
                18th Century Double Manual Harpsichord |   
              | Our 
                  18th century double manual harpsichord after J. D. Dulcken has 
                  a range of five octaves, FF-f''', 61 notes; transposing. It 
                  is disposed with upper manual 1 x 8' (dogleg), lute, lower manual 
                  1 x 8', 1 x 4', buff stop handstops and shove coupler.  These 
                  harpsichords also offer various possibilities for decoration. 
                  They are particularly handsome in a simple wood finish or painted 
                  in the plainer fashion of a French 18th century harpsichord. 
                   This 
                  is the real 18th century Flemish double! Detailed 
                  Description | 
 
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              | French 
                Double-Manual Harpsichords of the 17th & 18th Centuries |   
              | Our French double-manual harpsichords 
                (we offer six) have ranges of from four and one-half (GG/BB-d''', 
                Richard) to five octaves. Each is disposed with three ranks of 
                jacks and three choirs of strings, 2 x 8', 1 x 4', with a shove 
                coupler. Each 
                  instrument is offered painted in a traditional French style, 
                  with contrasting interior and exterior colors reconciled by 
                  gilded mouldings and accented with gold leaf bands on case and 
                  lid. We are delighted to work with customers in pursuit of more 
                  'baroque' decorative schemes, as well. Detailed 
                  Description Available 
                  as a kit (Taskin). |   
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              | English 
                Bentside Spinet of the 18th Century |   
              | The economy of space allowed by the 
                bentside spinet makes it an ideal instrument for musicians with 
                limited room. The five-octave compass (FF'f''', less FF#, 60 notes) 
                makes it a useful study and practice instrument appropriate to 
                virtually the entire harpsichord literature. Its sound, rich and 
                sonorous, is especially suited to chamber music and the music 
                of the English and Italian virginalists. Detailed 
                  Description Available 
                  as a kit. | 
 
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              | German 
                Double-Manual Harpsichords of the 18th Century |  
              | We build two German 18th Century 
                double-manual harpsichords. The "small" double has a 
                range of 61 notes, five octaves, FF-f''', transposing. Its disposition 
                is: upper manual, 1 x 8'; lower manual 1 x 8', 1 x 4', buffstop. 
                The lower manual slides in to engage the upper manual dog-leg 
                jacks. It is available with Delrin or beechwood jacks. The "large" 
                double has the same range. It is disposed: upper manual 1 x 8', 
                lute; lower manual 1 x 16', 1 x 8', 1 x 4', buff stop, shove coupler. 
                It is available only with beechwood jacks.  Both instruments are offered in a simple decor - painted in two colors on a
        matching trestle stand. The keywell surrounds are veneered, inlaid and crossbanded to
        coordinate well with the ebony and bone key coverings.  Detailed
        Description | 
 
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