Harpsichord 
          after Michel Richard (1688)
          
          Harpsichord after Ioannes Goermans (1748)
          
        Harpsichord 
          after Henry Hemsch (1746?)
          (Above 
          available as custom instruments only)
         
        Harpsichord 
          after Pascal Taskin (1769/1770) 
          (Available as a custom instrument and in kit form)
         
                
        
          Taskin French Double-manual with trestle 
          stand
        No 
          more idiomatic music was written for the harpsichord than by French 
          composers of the 17th and 18th centuries. The harpsichords for which 
          this marvelous body of music was composed were superb, and the products 
          of the Parisian workshops were prized throughout Europe. There is nothing 
          in the literature of the harpsichord which cannot be successfully performed 
          on these instruments with their singing treble, fluty tenor and rich 
          bass sonorities. 
                
         The 
          late 17th century was a time of flux in French harpsichord making. The 
          earlier native school of building was going out of fashion as the wealthy 
          cast covetous glances at Ruckers harpsichords that had been enlarged 
          with the increased range of contemporary composers such as d'Anglebert, 
          Jacquet de la Guerre and Marchand in mind. One could hardly blame a 
          prominent maker such as Michel Richard for making an instrument closely 
          modeled on the Ruckers design and then passing it off as a Ruckers. 
          This is just what he seems to have done in 1688. The instrument we offer 
          on this model (the original does not currently play) is designed to 
          be pitched at a'=392Hz, one whole tone below modern pitch. The sound 
          is dry and incisive as one might expect from the smaller case but still 
          dark and rich, much like the larger models of the second quarter of 
          the 18th century that designs such as this helped spawn.  Our 17th 
          c. French double after Richard can be built to play at a'=415 Hz with 
          no loss of sonority.  More details may be found in the downloadable 
          offering sheet.
The 
          late 17th century was a time of flux in French harpsichord making. The 
          earlier native school of building was going out of fashion as the wealthy 
          cast covetous glances at Ruckers harpsichords that had been enlarged 
          with the increased range of contemporary composers such as d'Anglebert, 
          Jacquet de la Guerre and Marchand in mind. One could hardly blame a 
          prominent maker such as Michel Richard for making an instrument closely 
          modeled on the Ruckers design and then passing it off as a Ruckers. 
          This is just what he seems to have done in 1688. The instrument we offer 
          on this model (the original does not currently play) is designed to 
          be pitched at a'=392Hz, one whole tone below modern pitch. The sound 
          is dry and incisive as one might expect from the smaller case but still 
          dark and rich, much like the larger models of the second quarter of 
          the 18th century that designs such as this helped spawn.  Our 17th 
          c. French double after Richard can be built to play at a'=415 Hz with 
          no loss of sonority.  More details may be found in the downloadable 
          offering sheet.
        Each 
          of our 18th c. French double-manual harpsichords possesses a typical 
          mid-late 18th c. range and is disposed with three ranks of jacks and 
          three choirs of strings, 2 x 8', 1 x 4', with a shove coupler. The various 
          details are listed in the appropriate downloadable 
          offering sheet.
                        
        
          Goermans French Double-manual with cabriole 
          stand
         
         
        Each 
          instrument on this page is offered painted in a traditional French style, 
          with contrasting interior and exterior colors reconciled by gold leaf 
          bands on case and lid and gilded mouldings. Each is supplied with a 
          simple trestle stand. Apron stands of various appropriate styles are 
          available at additional cost. If desired, the soundboard and wrestplank 
          may be decorated in 17th or 18th century French style.
        French 
          double-manual harpsichords (except Taskin) – Offering 
          Sheet
                French 
          double-manual harpsichord after Taskin – Offering 
          Sheet
         
        
        Hemsch double-manual 
          harpsichord in original decoration (Sheridan Germann)
        